Contributed by Linda Wilson
Writer Beware: “Series are tricky. Writing series is not for the faint of heart.” So says Janet Lane Walters, award-winning author of series in multiple genres and more; as quoted in my latest find, Writing the Fiction Series: The Complete Guide for Novels and Novellas, by Karen S. Wiesner.
I am living testimony to this fact. My dream has been to expand the one undertaking that has taken heart and soul to write, MY BOOK, into a series. The dream took shape when I realized I didn’t want to part with my characters. Little did I know what the creation of a series would mean. Thank goodness so many authors are willing to share their ideas on writing a series, including how to begin, how to avoid common pitfalls and how to stay on target, whether you’re writing a trilogy or see no end in sight.
In today’s post, I would like to summarize three topics that will help propel you out of the gate, described in Wiesner’s book: Book Groupings, Types of Series and Series Blurbs. If you are looking for good, solid advice on writing a series, I highly recommend Wiesner’s book, which offers a thorough approach with many examples and worksheets that can save time and effort.
Book Groupings are as Familiar as Fiction Itself
Series: Any continuous or interconnected set of stories. The two main types are the books best read sequentially, such as Harry Potter books; and those books read in any order, such as Nancy Drew books.
Trilogy: Continues one long-term story arc or each story stands alone with a loose connection.
Serial: Serial, episode or periodical stories come from a single work and are read in installments, such as Charles Dickens’ The Pickwick Papers, first published in 1836; considered to have established the serial format. A current example is Stephen King’s story, The Plant (2000).
Miniseries: A planned number of stories told within an existing series. A personal favorite of mine on television, such as the six-part Roots and John Adams; Wiesner gives as her example in writing, The Darling Birds, by Johnny Dale.
Other types of groupings include: Prequel, Sequel, Interquel, Spin-off, and Tetralogy (four-book series that can be developed the same as a Trilogy).
What Type is your Series?
The four main types of series Wiesner pins down, summarized here, has helped me turn a fuzzy idea of what I’m attempting to write into a clear vision. She points out that authors often create a combination of these types, a good idea if you want your series to stand out.
Recurring character: Popular in mystery/suspense stories, fantasy, sci fi and paranormal genres. Wiesner's example: Twilight Saga by Stephanie Meyer.
Your star character appears in each book, often with her trusty sidekick. The stories can be told from one or the other point of view.
I considered doing this in my current series project but was advised by an editor that by switching POVs, some of the reader’s emotional investment in my main character could be lost. I decided for this first series, to stick with the two mc’s who are introduced in Book 1, with one of them the predominant mc. Wiesner advises that in this type of series there’s a large cast of characters with varied importance from story to story.
Central Group of Characters: Popular in romance novels, women's fiction, paranormal, sci fi and fantasy. Example: Redwall Series by Brian Jacques.
Your main group of characters have a loose or specific connection that ties them together, and one or two of the characters become the mc as the series progresses.
Premise/Plot Series: Popular in action/adventure, suspense and thriller, inspirational, paranormal, horror, sci fi and fantasy. Example: Unbidden Magic Series by Marilee Brothers.
The connection in this type of series is the plot or premise that is the underlying theme.
Setting Series: Your setting works in your series' books across the board.
The stories are tied by the setting. Characters can change, but the setting stays the same.
Series Blurbs on Steroids
One of the most difficult tasks of fiction writing, as we know, is encapsulating our novel in a short, concise sentence.
Weisner suggests blurbing your entire series in the early stages of the work, keeping it to one to four sentences; as short as possible and tweaking it as you go along.
Your series blurb should:
– Be an overview of the entire series.
– Tell how the books in the series are connected.
– Inspire readers to want to read not just one book but the entire series.
– Let the genre shine through.
– Give the blurb the same tone as the story.
– Consider adding interest by making the blurb a question or an exclamation.
– Should give you a plan on how your series will end.
Nailing down these preliminary tasks, authors say, will save you much time and effort as you write your series. But the initial planning is not yet complete. This trilogy of posts will conclude next month with various worksheet suggestions, that if started early, can serve as reminders of details that might be forgotten and not easily found once your series gets rolling.
This article was first published at: http://www.writersonthemove.com/2016/10/three-tips-on-starting-series-part-2.html
ABOUT THE AUTHOR
Linda Wilson, a former elementary teacher and ICL graduate, has published over 100 articles for adults and children, and six short stories for children. Recently, she completed Joyce Sweeney’s online fiction courses, picture book course and mystery and suspense course. She has currently finished her first book, a mystery/ghost story for 8-12 year-olds, and is in the process of publishing it. Follow Linda on Facebook.
Whether you need help with ghostwriting or rewriting, let me take a look at your children’s story. Just send me an email at: firstname.lastname@example.org. Please put “Children’s Writing” in the Subject box. Or, give me a call at 347—834—6700
Let’s get your idea off the launch pad or your outline into a publishable story today!
Or, if you’d rather give it a shot and do-it-yourself, check out my book, HOW TO WRITE A CHILDREN’S FICTION BOOK.
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