Stories can be plot-driven or character-driven, so which is the best formula to use? Knowing a little about both methods should help in making a decision.
Plot Driven Story
A story’s plot moves it forward from point A to point B. It doesn’t necessarily have to be in a straight line; in fact, a course that twists and turns is much better. This type of plot creates movement and interest. It’s the twists and turns that will keep the forward momentum fresh, as well as build anticipation. Anticipation will hold a reader’s attention.
The plot also provides reasons and explanations for the events in the story and presents conflict and obstacles that the protagonist must overcome to foster growth. These elements create a connection with the reader. It entices the reader to keep turning the pages.
Without a plot, it is difficult to create growth and movement for the protagonist. It might be comparable to looking at a still photo. It might be a beautiful photo that evokes emotions in the viewer, but how long do you think it would hold a reader’s attention?
Along with this, the plot shapes the protagonist. It causes movement and character growth. Assume you have a timid woman who, through the plot’s circumstances, transforms into a brave, strong, forceful hero. Where would the story be without the events that lead this timid woman to move past herself and into a new existence?
Character Driven Story
On the other hand, a character-driven story creates a bond between the protagonist and the reader. It’s the character’s development and personal journey that motivates the reader to connect. There doesn’t need to be twists and turns or fireworks. The reader becomes involved with the character, and this is all the enticement the reader needs to keep reading.
In addition, the character works hand in hand with the plot to move the story forward. As the character begins her transformation, the plot moves in the same direction.
In some instances, such as short stories, a character-driven story can work amazingly well, as in “The Story of an Hour” by Kate Chopin. In cases such as this, the connection developed between the character and the reader can be more than enough to satisfy the reader. But all in all, it’s the combined efforts of a well-plotted, character-driven story that works best.
The Best of Both Worlds
According to science fiction and fantasy writer L.E. Modesitt, Jr., “The best fiction should be an intertwined blend of character, plot, setting, and style.” When all elements of a story work together, it creates a story that the reader will remember.
All aspects of a story should complement each other, moving the story forward to a satisfying conclusion, and draw the reader in.
If you have an action-packed, plot-driven story that lacks believable and sympathetic characters, it will be lacking. The same holds true if you have a believable and sympathetic character, but the story lacks movement, it will usually also fall short.
As with all things in life, balance is necessary; the same is true when writing a story.

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