Mar 06

Storytelling – Do Not Let the Reader Become Disengaged

Keep the reader engagedAs an author it’s your job to create an engaging, compelling, suspenseful, intriguing, romantic, or other type of story content that will lure readers in and keep them turning the pages. But the key word for a successful story is ‘engaging.’

Engagement, according to Merriman-Webster.com, means to have an emotional involvement or commitment. Based on this, no matter what genre you write in the story must hold or engage the reader.

In an article in the Writer’s Digest January 2011 issue, Steven James takes a look at aspects of “great storytelling.”

The first rule to a successful story is, according to James, “cause and effect.” In children’s writing this is the same as an obstacle and its solution – there must be a circumstance that leads the protagonist to an action in an effort to find a solution. I do like the wording James uses though, because it’s more in line with multiple writing genres.

In its simplest form, something happens (the cause) that creates or motivates an action or reaction (the effect).

James goes on to explain that along with cause and effect, the order in which an event unfolds or how it’s written will also make a difference between keeping a reader engaged and allowing for disengagement.

“As a fiction writer, you want your reader to always be emotionally present in the story,” explains James. If the sequence of an event causes the reader to stop and wonder why something is happening, even if just for a moment, you’ve left room for disengagement.

As an example, suppose you write:

She fell to her knees, dropped her head, and wept uncontrollably. Her husband was dead.

While in just eight words, the reader learns why the woman is crying, it may be enough time for her to pause and wonder – this can lead to disengagement.

To create a cause and effect scenario that keeps the reader in the loop, you might write:

Her husband was dead; the words echoed through the room. She fell to her knees, dropped her head, and wept uncontrollably.

The second aspect of writing James touches upon is creating and maintaining a believable story. Even if writing a fantasy or science fiction, consistency is needed, along with believable actions, reactions, observations, conclusions, and so on within the boundaries of the story.

A basic example of this might be if you write about a character with brown eyes, then somewhere within the story you accidently mention the eyes are blue. This little slip creates a believability gap.

Any gap in the believability of the story or its characters has the potential to cause the reader to pause, question, and very possibly become disengaged.

MORE ON WRITING FOR CHILDREN

Finding Age Appropriate Words When Writing For Children
Ingredients for a Perfect Picture Book
Plot and Your Story – Four Formats

Need Help With Your StoryLet me take a look at your story. I’m a working children’s ghostwriter, rewriter, and editor. I can turn you story into an engaging, publishable, and saleable book.

Shoot me an email at: kcioffiventrice–@–gmail.com (please put Children’s Writing Help in the Subject line). Or, you can give me a call at 347—834—6700.

Dec 27

The Outlining Method of Writing (Are You an Outliner?)

The outline method of writingAre you an outliner or a pantser? I don’t know if there has been a study of how many writers prefer each, but I know there are many in both camps. You know the saying, “different strokes for different folks.”

But, before I go on, the definition of an outliner is a writer who creates a written (or typed) outline of the plot of their story. A pantser is a writer who creates the story as she goes along – no outline. The story unfolds as she is writing it.

If I had to take a guess though, I’d say the majority of writers/authors are outliners (plotters).

The reason?

Creating an outline of a story before delving into it provides a foundation. It’s something to build upon. It’s like a map. You mark out your driving route. You know you’re going from Point A to Point B. You see the highways, roads, and so on between those two points. And, they’re all written out in your outline.

It’s interesting to know that there are different kinds of outliners. Some create full detailed accounts of getting from Point A to Point B. Some simply have a rough outline of what the story will be about – possibly that John is at A and has to get to B.

Jeff Ayers (a top crime writer), in his article “Doing What He Loves,” in the May 2009 issue of the Writer, says:

Outlining allows me time to think. Does this ever happen to you–you’re in line at the market, some pushy person cuts in front of you, you mumble something ineffectual or stupid, then when you’re 10 blocks away the light bulb goes off, and you think “That’s what I shouda said!” Well, outlining gives me the 10 blocks to think of something better.

I think this is an excellent explanation of why writers use the outline method of writing.

In the article, Ayers explains that he spends lots of time outlining. In addition to coming up with ideas, it allows him to get better acquainted with his characters. This more intimate knowledge allows him to bring them to life.

As I mentioned earlier, outlining is like using a map. But, depending on how detailed you make your outline, it can be more like a GPS. It can lead you street by street from your starting point to your ending point.

Even if you run into a detour that was unexpected, as in writing can happen, you have a guided system in place to get you back on track. And, if it’s very, very detailed, you even know where the rest stops are, where to eat, where the scenic sites are, and so on. It doesn’t leave much to chance.

Knowing every step, every detour, all the characters . . . there is a comfort in this method.

I’m much more of a pantser, but I have used outlines now and then. And, it certainly does offer a sense of security. But, with that said, I love to watch my story unravel before me. I love to watch characters develop and move forward. This comes with the pantser method.

It seems though that no matter which style you use, it’s not a guarantee of success or failure.

Gail Carson Levine has some good advice in regard to this, “Quality comes from word choice, plot, characters – all the elements [of a good story].”

Which writing method do you use?

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Reference:
Outlining vs. Pantsing

MORE ON WRITING FOR CHILDREN

The Book Summary – Five Must-Know Components
Finding Age Appropriate Words When Writing For Children
Editing a Children’s Book – 10 Tips Checklist for Authors

Need Help With Your StoryLet me take a look at it. I’m a working children’s ghostwriter, rewriter, and editor. I can turn you story into a publishable and saleable book.

Shoot me an email at: kcioffiventrice@gmail.com (please put Children’s Writing Help in the Subject line)