Children’s books fall into one of three primary categories: picture books, middle grade, and young adult. And, children’s writers need to take the necessary steps to achieve success whether aiming at traditional publishing or self-publishing.
In regard to traditional publishing, there are four steps in a writing career: writing, submissions to agents and publishers, book sales, and a writing career.
Actually writing, and all that it entails, is the basis of a career in writing, whether writing books, articles, becoming a ghostwriter, or copywriter. And, each of these career goals takes a number of steps that involve time and effort. But, we’re focusing on writing for children.
A. The first step is to write, but in addition to writing, the new writer will need to learn the craft of writing, along with the particular tricks of writing for children. Children’s writing is more complicated than other forms of writing. The reason is because you’re dealing with children.
Rules, such as age-appropriate words, age-appropriate topics, age-appropriate comprehension, storylines and formatting are all features that need to be tackled when writing for children.
Within the first step rung, you will also need to read, read, and read in the genre you want to write. Pay special attention to recently published books and their publishers. What works in these books? What type of style is the author using? What topics/storylines are publisher’s publishing?
Dissect these books, and you might even write or type them word-for-word to get a feel for writing that works. This is a trick that writers new to copywriting use – you can trick your brain into knowing the right way to write for a particular genre or field. Well, not so much trick your brain as teach it by copying effective writing. Just remember, this is for the learning process only – you can not use someone else’s work, that’s plagiarism.
B. The next step, number two, is to become part of a critique group and have your work critiqued. Critiquing is a two-way street; you will critique the work of other member of the critique group and they will critique yours. But, there are advantages to critiquing other writers’ works – you begin to see errors quickly and notice what’s being done right. This all helps you hone your craft.
C. Step three on the writing rung is to revise your manuscript according to your own self-editing and critiques from others. It’s also recommended to put the story away for a couple of weeks and then revisit it. You’ll see a number of areas that may need revising that you hadn’t noticed before.
There are also some self-editing steps you can take to help the process. You can check out:
Ten Tips Checklist for Self-Editing
D. It would also be advisable if you budget for a professional editing of your manuscript before you begin submissions. No matter how careful you and your critique partners are, a working editor will pick up things you missed.
Before you think about submitting your work anywhere, be sure you’ve completed the necessary steps in number one. You’re manuscript needs to be as polished as you can possibly get it.
Submissions can fall into two categories: those to publishers and those to agents. In regard to submitting to agents, in a Spring 2011 webinar presented by Writer’s Digest, agent Mary Kole advised to “research agents.” This means to find out what type of agent they are in regard to the genre they work with and the agent platform they provide: do they coddle their authors, do they crack the whip, are they aggressive, passive, involved, or complacent. Know what you’re getting into before querying an agent, and especially before signing a contract.
Here are a couple of sites you can visit to learn about agents:
The same advice works for submitting to publishers also. Research publishers before submitting to them. Know which genres of children’s books they handle and the type of storylines they’re looking for.
Whether submitting to a publisher or an agent, always follow the guidelines and always personalize the query. There may be times the guidelines do not provide the name of the editor to send the query to, but if you can find that information, use it.
According to Mary Kole, it’s also important to know how to pitch your story. This entails finding the story’s hook. Agents and publishers also want to know what the book’s selling points will be and what successful books it’s similar to. In addition, they will expect to be told what your marketing strategy will be. It’s a good idea to create an online presence and platform before you begin submissions; let the agents and publishers know you will actively market your book.
Along with the story’s hook, you need to convey: who your main character is and what he/she is about; the action that drives the story; the main character’s obstacle, and if the main character doesn’t overcome the obstacle, what’s at stake.
Ms. Kole recommends reading “the back of published books” to see how they briefly and effectively convey the essence of the story. This will give you an idea of how to create your own synopsis.
When querying, keep your pitch short and professional, and keep your bio brief and relevant. You will need to grab the editor or agent and make them want to read your manuscript.
3. A Contract and Book Sales
If you do your homework, you’re manuscript will eventually find a home. Don’t let initial rejections, if you receive them, deter you. A published writer may not be the best writer, but she is definitely a writer who perseveres.
After you sign a contract, you’ll be ‘put in queue’ and at some point begin editing with the publisher’s editor. From start to actual release, the publishing process can take one to two years.
A couple of months prior to your book’s release, you should begin promotion to help with book sales. After its release, you will want to take part in virtual book tours, do blogtalk radio guest spots, school visits, and all the other standard book promotion strategies.
4. A Writing Career
Now, you’ve got your book and you’re promoting it like crazy (this is an ongoing process). The next and final step is to repeat the process. You don’t want to be a one-hit wonder, so hopefully you’ve been writing other stories. If not, get started now. On average, an author writes a book every one to two years.
Along with keeping up with writing your books, having published books opens other writing opportunities, such as speaking engagements, conducting workshops and/or teleseminars, and coaching. There are a number of marketers who say your ‘book’ is your business card; it conveys what you’re capable of and establishes you as an expert in your field or niche. Take advantage of these additional avenues of income.
MORE ON WRITING FOR CHILDREN
Submitting Manuscript Queries – Be Specific and Professional
5 Must-Know Tips on Writing a Powerful Thriller (and most other fiction stories)
Characters or Story – Which Comes First?
Let me take a look at it. I’m a working children’s ghostwriter, rewriter, and editor. I can turn you story into a publishable and saleable book.
Shoot me an email at: firstname.lastname@example.org (please put Children’s Writing Help in the Subject line)
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